The people responsible at Netflix examine everything very precisely and repeatedly to make sure that nothing restricts the “viewer experience.” That is the prime concern at Netflix, and it covers a wide range of things. It is something that Netflix places great value on, and their QC is like nothing I have ever experienced. What are the quality standards for that kind of project? I have never before had such spirited discussions with a client about quality control more than a year before delivery.
Dark netflix series#
Netflix ordered the ten-part mystery series and is streaming it worldwide in 190 countries. Then it made sense to put together an entire package with ARRI. Netflix films in 4K, so we quickly decided to go with the ALEXA 65 from ARRI Rental to shoot the series. Another reason was the request from cinematographer Nik Summerer and from Bo to shoot with what they considered to be the best camera: the ALEXA. That is why we wanted to work with ARRI Media. For that to be possible, the service provider had to have a finely-tuned team of outstanding experts at its disposal and be able to upscale at will to react to any eventualities. So, we had to find a service provider that was capable of producing 504 minutes of content in that brief period of time, in the quality that is synonymous with showrunners Baran bo Odar and Jantje Friese. Picture lock was at the end of July, the first test packages had to be ready by mid-August, and the first deliverables for the Netflix location team had to be available by September. One of the biggest challenges on "Dark" was the really tight time schedule. Why did you choose ARRI Media as your postproduction partner? For various reasons. Nuri, you were responsible for the postproduction on "Dark" at ARRI Media. ARRI was hard at work behind the scenes of this ten-part series by Baran bo Odar and Jantje Friese.
Starting December 1, 2017, "Dark," a mystery family saga produced by Wiedemann & Berg on behalf of Netflix, streams simultaneously in 190 countries worldwide.
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